Flower of Love and Hope (for Jane and Jean-Louis)

                           Gouache and gouging on paper                                                       5" x 4.5"

                                      I would ask everyone I know to pray for my friends Jean-Louis and Jane.

                                     Thank you.
 

Bearded Iris

I keep all of my gouache, and gouache/watercolor paintings in Canson watercolor
paper spiral-bound notebooks. I have been doing this for about ten years. I like the paper,
because it doesn't wrikle very much, as long as I confine my composition to a fairly
small area, and it also takes the Cotman watercolors - which I like to combine with
my Caran d'ache gouache paints - very well. Sometimes, if I know I am gong to use
a lot of watercoor in a piece, I will use Liftng Preparation first and allow that to dry
before I start working. That makes it easier to remove any color I may want to. Of
course, this is not essential when working with gouache, because it is opaque, and
you can paint over anything, but sometimes you may want a more transparent area
in your work. I also really enjoy working with the new watercolor canvas that came
out a couple of years ago. You can do virtually anything on that - for watercolorists
it's a dream because it is really easy to life from. As long as you keep your compositions
very small - which mine are, just naturally - you don't need to do any preparation. But,
if you want to use a whole sheet, you need to stretch it just like a piece of regular watercolor
paper, or it will buckle and wrinkle on you. This can be most upsetting. - If you look at my
piece above, you can see that I used both opaque and transparent paint. I particularly like
the curled petal on the bottom right that is very lavendar with a highlight. Then, there is
a semi-transparent wash behind that, that really emphasizes the solidity of the curled petal.
I like the colors in this piece.                                                                                          BID

Oil Monotype of Dark Purple Iris

Go Here to Bid
This is an example of the type of monotype that is painted with

diluted oil paints on a zinc plate. I have done many of these in my

life, and with this medium have created some of my favorite

images. It is a fairly demanding medium, because you have to

dilute the paint to just the right consistency; you need to use

Turpentine, which I really can't stand (it gives me migraines,

even though I grew up with it because my mother was a painter

and used it constantly); and to manipulate the image, it has

to be semi-dry, or "set-up" to exactly the right state. At that point

you can take a pointed sable brush that is damp with solvent

and push the paint around on the plate - remove it, shape it,

add more, etc.. Then, it is printed on a dampened and blotted

piece of fine printmaking paper. The wonderful thing about

it is that oil and water don't mix, so that the oil image floats

semi-mysteriously, forever, on the surface of the paper - kind

of like a watercolor - but not. People ask my why I make these

instead of doing watercolors. That is why. They are not the

same in ANY way. You make a lot of losers, but when you make

a keeper, it is like nothing else. This isn't even one of my favorites.

Those are things I will never part with.

Pink Peonies in a Tarnished Silver Beaker

9" x 12", Oil on Board, $100.00 SOLD

I really had a lot of fun doing this painting. Peonies

are one of my favorite flowers, and I look forward

to their coming out every year. We have a couple

of plants in front of our house, but they don't get

enough sun. I treasured the few blooms we got,

but these I got at the supermarket. They were

surprisingly affordable.

I did this over a sketch, but I took a lot of liberties

with the flowers. I had to be a bit tighter with the

cup, just because of the structure. Sometimes I

think I must have been a manuscript illuminator

in another lifetime, because for some reason I really

get a bang out of painting things like those tiny dots

of light, light yellow on the cup rim and base. Maybe

because it reminds me of early Renaissance art, which

I adore.

It was was fun, because the rest of the painting got

to be kind of slapdash, and painting lines of trans-

parent, very brilliant colors through passages of

thick white. You never know what's going to happen...

I think I may do some more peonies tomorrow.