SOLDThis monotype was painted in watersoluble oils on Yupo watercolor paper, which
is really just a piece of white plastic rolled out very thin. It is fun to use this as
a support , because you can really see what your image will look like when printed -
except that it will be backwards of course, if you are using an etching press, which
I always do. -- This image is mostly done from memory. I rode up and down this
highway so many times that I can still see it clearly now, even though I was there
almost thirty years ago.
Thanks for visiting today.
NFS
This image was created by painting with Prangwatercolors, and drawing with Caran d'AcheNeocolor Water-soluble crayons on frosted Mylar.Then, after soaking a piece of Magnani whiteprintmaking paper, and blotting off all of thestanding water, I ran the two together throughan etching press. A plastic plate of roughly thesame dimensions as the print was used to shoreup the image and create more pressure andcreate a platemark around it, which is clearlyvisible in this picture.This is a really fun technique. If you cover yourMylar with gum arabic, Watercolor Medium (gumarabic with acetic acid in it to preserve it), or evendishwashing liquid, and allow that to dry, you canthen create an image and print it by hand - but youmust be sure that your paper is damp enough forthe image to transfer. The watersoluble coatingunderneath your drawing is dissolved by the damppaper and lifts up with the drawing on top of it,and the whole thing transfers to your printmakingpaper.Obviously, using a press is easier!
SOLD
This is a painting of a young woman who used to model for mebefore she moved to New York to seek her fortune in music andthe theatre. Not only was she blessed with physical beauty, butwith a lustrous operatic voice, and acting talent! She has alreadyperformed with Shakespeare in the Park. I am so proud of her.She certainly made an inspiring model though. We all miss her.Thanks for visiting.